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The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. The best way to date Larrive instruments is by the instrument labels. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. MK-35 models were mahogany back & sides, rosewood fingerboards with dot inlays & nickel hardware. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. They are very pricy at over $20.00 each, but worth it if you want . There can easily be more numbers within each year listed. made unmarked banjos for others to sell as well. 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. The 1975 price was $1,999. Kay company banjos were normally not that high-quality but this one is different. Take your playing to the next level with the help of a local or online banjo teacher. The choice to discontinue the Mark Series had to do with the general turmoil of the Gibson company in the last years of ownership by Norlin. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. Dreamstime is the world`s largest stock photography community. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. G Edward Porgie - Posted - 06/16/2021: 14:40:30. 587 Similar to 585 but with pearl (vs ivoroid) tuner buttons. A Style mandolins were symmetrical and shaped like a teardrop. For example: Gretsch stopped production of Bacon and B&D banjos. the bins that were used to move instruments from . The Gibson stamped on tailpiece cover. Gibson changed the name again in the 1950s to the SJ-200. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) The necks and heels were rounder. I doubt you'll find this in a catalog. Cherry Sunburst is still available. bands even in the early 1890s. 1934 was in the depth of the depression, and at $60 without a case, most families put food ahead of guitars. peghead shape. It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. How to ID vintage Gibson banjos? - The Unofficial Martin Guitar Forum The back and sides were Brazilian rosewood and the tops Adirondack red spruce. JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. There is a steel tone ring on the maple rim, and the rim has a maple cap. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. When it came out in 1942 it was the most expensive Gibson flat-top in the line. The guitar designs, however, were not the problem. It was initially called the De Luxe Jumbo for the few versions that were delivered before the model went into production. Over time the J-35 braces began to appear scalloped. Gibson RB-250 MASTERTONE 5-string RB250 - All Original with - Reverb.com The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. This is a "fit-all" banjo case. Plectrum. There are some examples of two piece bodies used with the transparent or natural finishes. The second type of headstock, as you can tell by its name, is the angled or tilted-back headstock. The sides and back were tinted mahogany with a sunburst red spruce top. 1978 $1079 Tobacco sunburst is dropped for Fireburst; Maple is now described as Natural. Ss. Vega Banjos - Deering Banjo Company 1972 L-5S launched, but shipping totals list no instruments being shipped until 1973. They were available in steel string or classical. Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. Between 1934 and 1938, Gibson only offered the sunburst finish. Jul 15, 2021 - A study of banjo head peg heads. There are a few examples of A-2Zs with black tops, though this was probably used to cover some imperfection in the selected tops. Most information about Larson Brothers instruments comes from their catalog published around 1930. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. Many banjo manufacturers, in addition to making banjos under their own names, Unfortunately, the information is confusing and inconsistent. Banjo Identification No Name Models - Mugwumps Serial Numbers - Acoustic Music They had owner applied pick guards and multi-bound backs and tops (including red line highlights). Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. PB -- plectrum banjo. These bridges had movable saddles up to about 1917 when they changed to a one-piece compensating bridge design through early 1921. The Gibson stamped on tailpiece cover and inlaid in headstock. All listed sizes are for 12 fret to body models: These dimensions were similar for all Larson made instruments. The fingerboard of the L-5S is in with select abalone. Good size logs of spruce were government controlled during the war and were not easily available shortly after. A flourish inlay under The Gibson in the headstock. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. Nice playability, great tone, strong low end and good sustain all the way up the neck. Its difficult to positively When I look at the rim, tone ring, tube and plate, and tailpiece they look like the same ones on my Ibanez 591. Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. The centerline of the neck had the black inlay. I just have a few questions. Silkscreen logos - Low end models. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. During the period of 1902 to approximately 1909 the mandolins sported tailpiece covers with a curly top and internal white labels with an image of Orville Gibson holding a lyre mandolin. The original price in 1942 was $45. Some banjo . Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. MK-72 models were rosewood back & sides, 3 piece ebony/rosewood fingerboards with dot inlays & nickel hardware. During the war years women played a greater role in manufacturing while young men were fighting overseas. ECL changed its name shortly afterwards to: Norlin Inc. for ECL president Norton Stevens and CMI president Maurice Berlin. Higher numbers also meant more money. I wouldn't be surprised if a few exist with other brand names. Most have the patented L&H tailpiece shown in the inset. The appointments of the Southerner Jumbo included more top binding and an additional set of rosette rings. The top and back are lightly arched, producing the deepest measurement in the center of the guitars body. Example: U8034853 U = Unsung, 8 = 1998, 03 = March, 4853 = manufacturing number. FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). Saga Bella Voce 70/80. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. Binding a Banjo Headstock - AcousticBox.com Carl and August Larson built instruments between 1900 and 1944. RB -- regular banjo (5-string) TB -- tenor banjo. middle-sized, chrome tuners. The banjo's fingerboard is where the magic happens. These digits should match the 4 digits found on the back of the peghead of your banjo. This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. The L-5S was the first high end jazz solid body guitar. George Gruhns Guide to Vintage Guitars by George Gruhn and Walter Carter. No binding, no inlay and no decoration. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. . Headstocks of US models also use the Gibson headstock shape. It was the heart of the depression and the instruments cost $60 without a case. All Rights Reserved. Pearl dots on fretboard. If you would like to use content from this page, see our Terms of Usage policy. Have a vintage Harmony guitar? This was adapted to the mandolin over the next few years. The Aria 921C was a good quality 5-string banjo made in the early 1970s. The hurricane of September 1938 destroyed the companys ability to manufacture anything. The standard "Huber' shape, the popular "Double Cut" shape or the "Fiddle Cut" shape. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. The Maurer Company records have been lost. The appointments matched the MK-35 but the bracing was modified to accommodate the additional string tension of 12 strings. 67 Banjo Headstock Designs ideas | banjo, guitar inlay, mandolin Most I chose a .090 binding that is layered, for a nice pin-striped look and Stewart MacDonald Guitar Shop Supply makes the perfect set of bits for routing headstock for binding called Piloted Binding Router Bits. These can exist on any model numbers including the A-jr. Dr. Michael Kasha was a chemical physicist and the director of the Institute of Molecular Biophysics at Florida State University. English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. The Mark Series, though not a wild success in terms of overall sales, did sell reasonably well. It was Gibsons most prestigious solid body (and therefore expensive, with a couple of exceptions). Serial numbers are addressed elsewhere on the web site but can be found also on Gibsons website and George Gruhn & Walter Carters book: Gruhns Guide to Vintage Guitars. They were the J-45 and the Southerner Jumbo. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. As for how I came to own the instrument, my grandmother's cousin was an instrument collector. 562 Standard size with rosewood back & sides, MOP and colored wood appointments. The designations were. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. Our 19th Year * Sign Up Now Gretsch used a new serial format showing: Month/Year/Production Number (3-4 digits), stamped as follows: Its not clear whether the 3-4 digit production number is the total production for the month or for the year. Kay company banjos were normally not that high-quality but this one is different. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. See Martin Serial Numbers for a dating information. Antique and Vintage Hall of Fame - Collectors Weekly Each type of banjo head has a unique contribution to your banjo's tone. New Location: Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. Electric guitars having the serial number on the back of the headstock. The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. The braces were generally thin and numerous compared with other manufacturers. He lived in Illinois all his life. The tradition had been Bug style mandolins: bowl-backs with flat or bent tops. Identify vintage banjo fleur de lis inlays on headstock & carved heel. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). Between 1974 and 1984 production of Gibson guitars was slowly being shifted from Kalamazoo MI to Nashville TN. Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. David L. Day was in his 70s. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. These appear to have a unique serial number scheme. In 1935, binding was added to the fretboard. Example: S3021234 = Samick Korea / 1993 / February . Where no serial numbers are shown they simply are not known. They are maintained by Donna LoPrinzi in Clearwater Florida. About Larrive Guitar Labels Serial Numbers. Information gleamed from the Mandolin Cafs website over the years. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. Thinner cog gears with no bevel on the edge of the cogs. The flood of returning soldiers with a broader world-view brought new musical tastes and new hopes for the future. For a period of time, this was the top of the line. See more ideas about banjo, guitar inlay, ukulele. This moved the X away from the soundhole a bit. It appears that they experimented right up to the point of discontinuing the line. teachers who sold them to students, some of which are tagged with the name of Alternates can range from standard designs out there in the banjo world, old or new, or a custom. This technique of supplying interchangeable saddles/bridges was not new, it had been used by Selmer in France for their Maccaferri style instruments since the 1930s. This is a high-quality instrument. It had a 24 3/4 scale and was constructed of all solid woods. 1968: Changed to a bottom belly bridge and 1960 style pickguard, 1969: Changed to a square shoulder dreadnaught, Original version: solid mahogany back but laminated mahogany sides, 1 piece mahogany neck & 17 degree headstock angle, Bound Brazilian fretboard with trapezoid inlayed markers, Individual Kluson tuners with white buttons later: keystone Pearloid buttons, P-90 single coil pickup with adjustable pole pieces. Manchester University, Instruction * ConcertsJams * More Gretsch started a new serial number system. Grupo Musical. This was expanded in 1935 to about 1/3 of the top area. The saddles were wider than usual. The grade of top wood was tighter grained. A-3s had refrigerator white tops with a black perfling line, adjustable truss rods and adjustable bridges. Saga. The USA distributors in the 60s and 70s used their own serial number systems and we do . F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. banjo headstock identification - voxu.group See the notes below. 10 Common Guitar Headstocks Shapes Explained (2023) - Guitar Lobby Other singing cowboys who later owned Super Jumbos include Roy Rogers and Gene Autry. Prices were typically 30-40% more than other Gibson solid bodies; the Les Paul Recording, LP Custom and SG Custom. 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. I own the book and have found it to be an invaluable resource in identifying these old guitars. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. See more ideas about banjo, guitar inlay, mandolin. Size 3 Gurian, either acoustic or amplified. Michael Wright has compiled one of the largest picture galleries of headstock photos in his book "Guitar Stories Vol. The instruments had modified fan bracing and asymmetrical bridges. Instrumental. Introduced is the year of introduction. There were 431 made. Take a closer look at the serial number found on the back of the headstock and reference the guide below. If1970s, would be Japanese, more likely. Gibson developed the truss rod in 1921. ss stewart presentation banjo - Google Search. 519,409 In 1894, he patented this wild banjo with a neck that folds in on itself at the 10th fret in order to facilitate transportation. Maybell was a Slingerland brand name. The decade following saw a change in finish from varnish to shinier lacquer. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. One of the advantages of choosing a banjo made in a small shop environment is the easy availability of customization. Banjo Headstocks - Pinterest These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. The exceptions were in 1979/1980 when the very fine Flying VII and active Les Paul Artist models were available; both were between $50 and $100 more, and were deleted almost as quickly as they dbuted. Google Play. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. ARCHIVED TOPIC: VINTAGE BANJO IDENTIFICATION. Every banjo has a story. They were well suited for orchestral arrangements as well as individual play and accompaniment. The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. The 1975 price was $549. Blake507 - Posted-12/26/2013: 15:42:17. The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. Sunburst was the only finish available for the J-45 until much later as the sunburst finish can hide flaws in the wood; this was a significant advantage during WW2 when clear wood was being used for the war effort. Banjo not included or available. A total of 2,477 J-35s were made according to Gibson records. The top and back bindings were black plastic.